Rockin' in the Scholarly World

I'm so excited,
And I just can't hide it.

The Pointer Sisters' 1980s hit song expresses well how I'm feeling these days about, of all things, my scholarship.

As a university professor, I'm evaluated annually on my performance in teaching, service, scholarship, and, because I teach at a faith-based institution, the integration of faith and learning. Of these four areas, scholarship is the one that many faculty at my university worry about the most--especially because we teach four classes per semester. With that kind of teaching load and the expectations for committee work, other service, and active participation in a faith community, it can be tough to find time for the sustained intellectual and writing discipline required to produce journal articles and the occasional book.

Personally, in order to amass the proper number of presentations, articles, and books (whatever that is; no one is ever able to give you a number) to be granted tenure, I chose to specialize. As a result, virtually every presentation and writing project I've undertaken for the last six years has been about a very narrow field of inquiry, specifically the rhetoric and style of C. S. Lewis's prose works.

While specialization has its rewards--it's a good feeling to study one area so deeply that you attain some level of expertise--it also has its downsides. It can seem repetitive after awhile, and you begin to feel like a one trick pony. Whenever I tell Janet about my latest project, for example, she sighs and asks "Are you ever going to write about an author other than C. S. Lewis?"

And this brings me to the reason for my excitement: I'm finally going to write about someone else!

But it gets better.

I get to write about two of my longtime favorite rock stars: Neil Young and Jackson Browne.

If I were to name my all-time favorite singer-songwriters in trinitarian terms, it would look like this:

Bob Dylan (Father)
Neil Young (Son)
Jackson Browne (Holy Ghost)

Truth be told, on some days I could replace Browne with John Prine or perhaps Emmylou (though more for her singing than her songwriting).

So you can imagine how thrilled I was when the opportunity came along to write an academic article about two of my musical heroes.

It happened like this: I was scrolling through postings on a Christianity and Literature list serve when I came across one from a prof who was proposing to edit a volume on Rock and Romanticism. By Romanticism he meant the literary, artistic, philosophical movement in the early nineteenth century. The idea was to explore connections between Rock and Roll artists and the spirit of romanticism.

I immediately began to think about the British Romantic poets--Blake, Wordsworth, Shelley, Keats--I teach in my British literature class and how I've noticed echoes from their work in the lyrics of some of my favorite singer-songwriters from the 1960s an 1970s. Because I assumed Dylan would be an obvious choice, I opted for Young and Browne. I sent the prof a proposal for a chapter, and it was accepted.

My tentative title is "I Wandered Lonely as a Rock Star: Neil Young and Jackson Browne as Romantic Lyricists."

This is pretty much a dream writing project for me. I get to research and write about two singer-songwriters whose music got me through high school and college in one piece and whose works I've continued to enjoy over the years. I've also seen both artists in concert multiple times.

And it counts as scholarship!

I've been doing preliminary reading--Neil Young's autobiography and a book on Browne, Cat Stevens, and James Taylor--and I'm feeling a little guilty. Should scholarship really be this much fun?

Because I'm stepping out of my scholarship comfort zone, it feels like--well, the Pointer Sisters say it best:

I'm about to lose control,
And I think I like it. I like it.

Tooth gaps, Chaucer, and Personality Types

 In fourth grade, I thought the coolest kid in my class was Brian Slobotsky. Not only did he have an awesome last name, but he had this gap between his two front teeth that allowed him to perform an astonishing feat. He would get a mouthful of water from the fountain, form his lips in a circle, and shoot a thin stream of water through that gap, sometime aimed at the water fountain, but more often at one of us. His mad skill provided an endless source of entertainment for our fourth grade class.

When I studied Chaucer in college, I learned that in the middle ages people with a gap between their front teeth were thought to be amorous and overly interested in sex. Thus, when Chaucer introduces his Wif of Bath character, he points out that she is "gat-toothed,"  which apparently explains the fact that she has worked her way through five husbands.

It never occurred to me in fourth grade to question Brian's sexual proclivities, but who knows? I've not heard from him in awhile, so I suppose he could have lived a life of sexual adventure and serial divorce.

Whenever I return to Chaucer's Canterbury Tales, as I'm doing now with my early British literature class, I find it fascinating how they so readily equated physical traits with morality or immorality and with specific personality types. Gap-toothedness is a striking example, but there are others. Thus, the Monk, who plays against type with his love of hunting and eating and drinking (in a delightful phrase, Chaucer says it snowed meat and drink in the Monk's house), is predictably plump and has a red face, indicating his sanguine and jolly personality. The Reeve (the superintendent of a large farming operation), on the other hand, is thin as a reed, matching his fiery, choleric personality type.

It's easy enough to laugh at the simplicity and ignorance of our ancestors, of course. After all, we've studied human psychology enough to know that a person's physical appearance has little, if anything, to do with his moral character or personality type.

Or have we? Our obsession with the bodies, physical appearance, and dress of actors at the recently completed Academy Awards ceremony might indicate otherwise. It seems we're still not beyond assuming that someone who is beautiful on the outside is also good on the inside, or at least different than us, with a more sparkling or winsome personality. How many times have I made judgments or assumptions about a person's morality or personality traits based on the size of his waistline? Or assumed that a physically attractive student in one of my classes was, de facto, a good student or scholar?

 When I worked in the corporate world, one company used a simplified personality test with the goal of improving interpersonal communications and productivity. The system looked something like this:

  The Four Personality Types:

•Otter-Expressive-Popular-Sanguine

•Lion-Drive-Powerful-Choleric

•Beaver-Analytical-Perfect-Melancholy

•Golden Retriever-amiable-Peaceful-Phlegmatic 

I don't remember using the animal designations, but all employees in the company took the test and were classified as Expressives, Drivers, Analyticals, or Amiables. They were then put through a training course (which I led) to help them understand more about their type as well as how to interact successfully with other types. 

I remember I was an analytical and that one of the owners of the firm was a driver, what we often call a Type A personality. That the test had some degree of accuracy was confirmed for me when I ran into him in the hallway early one morning and had this exchange:

Me: "Good morning, Bob. How are you."

Bob: "Great! Nothing like a good fight before breakfast!"

 Needless to say, Bob was the owner I had the most trouble working with.

All this leads me to several observations:

• I do understand the usefulness of these tests. They can be helpful in educational or work environments. For example, if I (an anayltical) am trying to convince my supervisor (a driver) to approve a new company policy, I'm wise not to give him twenty minutes of background detail but instead get straight to the point with a few, well-chosen arguments. 
• These tests can be dangerous because they encourage our tendency to categorize and stereotype individuals. It's easy to think because a colleague or co-worker or student is an Amiable, for example, we can make any kind of unreasonable demand and they are likely to go along with it for the sake of the relationship.
• These tests can be dangerous because they cause us to put limits on people's capacities and potential for growth. For example, I might have a colleague who is an analytical and tends to be uncomfortable making presentations to large groups of people. Normally I wouldn't even think of asking her to present before a group because I know how difficult it is for her. But what if an event is coming up where she is clearly the most knowledgeable person about the topic? Perhaps by asking her to step out of her comfort zone and present, I'm doing both her and the audience a favor: my colleague gets a growth opportunity and the audience gets the benefit of her expertise.

So ultimately I guess I'm saying that a human's personality is too complex and unique to be placed in a box--whether it's a personality test designation or a judgment based on physical appearance.

Going back to Chaucer, I have to say those folks in the middle ages had more on the ball than we give them credit for. After all, the contemporary personality types I found through my extensive research (two Google clicks on the Internet) still use the medieval humours (Sanguine, Melancholy, etc.) to try to categorize the mysteries of human behavior.

Deep in my Heart, I do Believe

You must imagine me sitting in church in the heart of America in 1963. The particular day or occasion is irrelevant. It might have been a Sunday morning or Sunday evening service. It might have been a Sunday morning or Wednesday evening Bible class. It might have been the Tuesday night of a week-long Gospel Meeting in the summer. (I spent a lot of time in church in those days.)

It might even have been a time when the preacher or Bible class teacher was discussing the narrative in Acts about Peter and the Gentiles, where Peter, a Jew, learns the hard lesson that God is no respecter of persons.

But here's what I've come to realize, and what I've been turning over in my head and heart since shortly before Martin Luther King, Jr. Day, 2015. It's a reality I find both ironic and sad:

In all those worship services and in all those Bible classes, I don't remember hearing about racism. Not even once. I don't ever remember anyone referring to the racial tensions in our country and addressing them in light of scripture. Not even when the story in the biblical text (e.g., Peter preaching to the Gentiles) would seem to demand it.

Why was this the case, I wonder? I don't think it was because there were no racial tensions and no social injustice in my town. It was 1963, after all, the height of the Civil Rights movement, the year that Dr. King delivered his "I Have a Dream" speech.

I can think of at least two reasons why racism and social injustice were not discussed in my church. First, we were all white. We were vaguely aware that black Christians were worshiping in their own (black) churches on the other side of town, but we seldom encountered them and did not worship with them. My town was as segregated as my church. There were no black kids in my elementary school. Even in Junior High, there were few students who did not look like me. Only in high school would I go to school in an integrated environment.

Second, my church's approach to the Bible and theology, promoted, in direct and indirect ways, a dichotomy between the spiritual and the secular. Religious acts like Bible study, worship, and baptism were part of the sacred world; concerns of poverty and racism and gender equality were consigned to the secular realm.

So rather than learning about the damaging effects of racism on society in church, I learned about it in school. In my junior year of high school, Philip Rhea (bless his heart), my honors English teacher, led the class through a selection of literature written by African Americans. We read W. E. B. Du Bois's The Souls of Black Folks; we read John Howard Griffin's Black Like Me; we even read Eldridge Cleaver's Soul on Ice.

And slowly through the reading and discussion of these and other books, a new reality began to open up to me, and I realized two things: that my black classmates came from people who were the victims of institutional and systemic racism, and that I was white, privileged, and middle class, and through no fault of my own, I was part of the problem. Finally, thanks to Mr. Rhea's reading list and the fact that some of the literature we read was recent, I learned that racism was not simply part of an embarrassing past but was active in my town and my nation in 1970.

I wonder to this day how Mr. Rhea got approval from the administration and school board to teach these books in his class, but I'm thankful he did. In college, I would commute to another campus to take a class in Black Literature because my university did not offer one. Later still, I would decide to make teaching writing and literature my life's work, due in large part to my life-changing reading experience in that high school English class. If books could open up a whole new window on the world for me, I figured they were worth it.

I just wish we would have talked about some of this in church.

I wish someone at church had told me about the racial injustice in my town.

I wish someone at church had named racism as a sin that stands as an affront to the Christian faith.

I wish someone at church had told me that Christians are theologically bound to seek the elimination of racism.

Some might wonder why I'm dredging up the distant past and claim that such blind spots no longer exist in the church. However, I've heard similar sacred/secular dichotomies expressed by my students at  an evangelical Christian university. On a trip to the Iona Community in Scotland, we visited a service that focused on environmentalism and what we as Christians could do to reduce the carbon footprint and demonstrate care for the health of the earth. Several students commented afterwards that they enjoyed meeting in the ancient church but that the service "hadn't seemed like church," presumably because it focused not on praise to Jesus but on non-spiritual and earthly concerns.

A few weeks ago, on the day before the Martin Luther King, Jr. holiday, I sat in another church service, and we talked about, of all things, racism.

The pastor's text that morning was the calling of Samuel and the word he heard from the Lord to confront Eli about the sins of his family. She noted the events in the story could parallel what Christians need to do with reference to racism. For example, we should listen. We must listen to the stories of those whose lives are negatively affected by racism. We must listen to the stories from Detroit, and Staten Island, and Ferguson, for example. This listening, the pastor noted, will likely make us uncomfortable, just as the message Samuel was told to communicate to Eli was hard and made him uncomfortable.

At some point during the service, we sang James Weldon Johnson's poem set to music, Lift Every Voice and Sing, a song that has come to be called the African American National Anthem. It's the hymn that Maya Angelou writes about so movingly in I Know Why the Caged Bird Sings, the song that brought hope to her and her fellow African American high school graduating students after a white speaker had told them they should never expect to rise above the level of being hired hands and domestic servants in society. Here's the second verse of that song:

Stony the road we trod, bitter the chastening rod, felt in the days when hope unborn had died;
Yet with a steady beat, have not our weary feet, come to the place for which our people sighed?
We have come over a way that with tears has been watered,
We have come, treading our path through the blood of the slaughtered,
Out from the gloomy past, till now we stand at last,
Where the white gleam of our bright star is cast.

We have few people of color in our church, but as I sang this anthem with my predominately white congregation, I couldn't help but feel there was something healing and healthy about it. I felt I was in some small way lamenting and abiding with my African American brothers and sisters, past and present. And I had a strong sense that as a Christian, that's something I need to do, even something I must do.

The following Sunday we talked more about what it would look like to lament and abide in humility with people of color. And we talked about some practical ways we could respond to the institutional and systemic racism still at work in our society. We talked about how this is not just optional but part and parcel of what we should be up to as people of faith. And we closed the service singing

We shall overcome, we shall overcome, we shall overcome some day;/ Oh, deep in my heart, I do believe, we shall overcome some day.

Singing these words moved me and gave me hope.

I don't know how many predominately white churches sing these songs in their services, but it might not be a bad idea to do so occasionally. It's a small thing, I know, and some might see the act as merely symbolic or insignificant in addressing the larger problem. But it's a place to start.

Perhaps social action begins when our hearts are moved and we empathize and identify with the plight of people whose experience differs radically from ours. Perhaps singing the songs of freedom in our churches could be a first step toward seeking just treatment and equity for people of color. A small step, to be sure, but a step nonetheless.

I'm reminded of what Allan Johnson says in his excellent book, Power, Privilege, and Difference:     

If dominant groups really saw privilege and oppression as unacceptable--if white people saw race as their issue, if men saw gender as a men's issue, if heterosexuals saw heterosexism as their problem--privilege and oppression wouldn't have much of a future.

Singing the songs of freedom moved me a step closer to seeing racism as my issue. And, given my background, I'm grateful to be in a church where I no longer have to check my concerns for social justice at the door.